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The mission of the San Mateo County Historical Association is to inspire wonder and discovery
of the cultural and natural history of San Mateo County.

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Image of 1987.133 - Friendship Quilt, 1900. Hand-embroidered friendship quilt made by women of Half Moon Bay, California, to raise money for the Methodist-Episcopal Church to buy carpet. Quilt consists of red circles on a white ground. Circles have individual names embroidered in white stitches. A border of alternating red and white stripes surround the red circles, forming sun rays. Names are embroidered on the white strips with red thread. Quilt appears to be machine sewn and hand-quilted. Quilting pattern is a star burst radiating out from the center of the red circles with diagonal diamonds on the white ground. Quilt is edged in red binding. The backing is white cotton and a muslin sleeve has been affixed along one side on the back for hanging.

1987.133 - Friendship Quilt, 1900. Hand-embroidered friendship quilt made by women of Half Moon Bay, California, to raise money for the Methodist-Episcopal Church to buy carpet. Quilt consists of red circles on a white ground. Circles have individual names embroidered in white stitches. A border of alternating red and white stripes surround the red circles, forming sun rays. Names are embroidered on the white strips with red thread. Quilt appears to be machine sewn and hand-quilted. Quilting pattern is a star burst radiating out from the center of the red circles with diagonal diamonds on the white ground. Quilt is edged in red binding. The backing is white cotton and a muslin sleeve has been affixed along one side on the back for hanging.

Friendship Quilt, 1900. Hand-embroidered friendship quilt made by women of Half Moon Bay, California, to raise money for the Methodist-Episcopal Church to buy carpet. Quilt consists of red circles on a white ground. Circles have individual names embroidered in white stitches. A border of alternating red and white stripes surround the red circles, forming sun rays. Names are embroidered on the white strips with red thread. Quilt appears to be machine sewn and hand-quilted. Quilting pattern is a star burst radiating out from the center of the red circles with diagonal diamonds on the white ground. Quilt is edged in red binding. The backing is white cotton and a muslin sleeve has been affixed al

Image of 0002.229.001 - Dresser Scarf, n.d. Creme colored rectangular dresser scarf. Hand crocheted lace attached to all 4 edges by hand which extends 0.5in out from the center panel. The center rectangular panel has no pattern or design and is approximately 12.25in. tall x 17in. wide. The crocheted lace edging has two parts, the part closer to the fabric edge alternates between open rectangular spaces and 4 crocheted columns attached to that there is a scalloped edge with 3 openings inside each scallop.

0002.229.001 - Dresser Scarf, n.d. Creme colored rectangular dresser scarf. Hand crocheted lace attached to all 4 edges by hand which extends 0.5in out from the center panel. The center rectangular panel has no pattern or design and is approximately 12.25in. tall x 17in. wide. The crocheted lace edging has two parts, the part closer to the fabric edge alternates between open rectangular spaces and 4 crocheted columns attached to that there is a scalloped edge with 3 openings inside each scallop.

Dresser Scarf, n.d. Creme colored rectangular dresser scarf. Hand crocheted lace attached to all 4 edges by hand which extends 0.5in out from the center panel. The center rectangular panel has no pattern or design and is approximately 12.25in. tall x 17in. wide. The crocheted lace edging has two parts, the part closer to the fabric edge alternates between open rectangular spaces and 4 crocheted columns attached to that there is a scalloped edge with 3 openings inside each scallop.

Image of 0002.231.001 - Dresser Scarf, n.d. Creme colored dresser scarf has a circular linen center and elaborate crocheted edging. The overall appearance is reminiscent of a snowflake. The center of the dresser scarf is a 4in. piece of fabric. Crocheted lace is 3in. wide at the longest point all the way around and is hand sewn onto the fabric. Where the lace meets the fabric there are 4 rows of open work crochet and these 4 rows are 0.5in wide moving outward there are 8 floral shapes. Each floral shape has 6 petals surrounding a center of ovals and loops.

0002.231.001 - Dresser Scarf, n.d. Creme colored dresser scarf has a circular linen center and elaborate crocheted edging. The overall appearance is reminiscent of a snowflake. The center of the dresser scarf is a 4in. piece of fabric. Crocheted lace is 3in. wide at the longest point all the way around and is hand sewn onto the fabric. Where the lace meets the fabric there are 4 rows of open work crochet and these 4 rows are 0.5in wide moving outward there are 8 floral shapes. Each floral shape has 6 petals surrounding a center of ovals and loops.

Dresser Scarf, n.d. Creme colored dresser scarf has a circular linen center and elaborate crocheted edging. The overall appearance is reminiscent of a snowflake. The center of the dresser scarf is a 4in. piece of fabric. Crocheted lace is 3in. wide at the longest point all the way around and is hand sewn onto the fabric. Where the lace meets the fabric there are 4 rows of open work crochet and these 4 rows are 0.5in wide moving outward there are 8 floral shapes. Each floral shape has 6 petals surrounding a center of ovals and loops.

Image of 0002.373 - Oriental Rug, c. 1900.  Woven wool rug has a large red ground rectangle in the center surrounded by alternating brown, blue , brown white, blue and brown borders respectively.  White, green, blue, gold and brown geometric shapes on red ground have box "windows" and pointed "roofs" and possibly represent buildings.  Inner blue border is filled with a row of burgandy, white red, brown and gold X-shapes with a line going through and connecting them.  White border has multicolored triangles on either edge bordering multicolored +-shapes.  Top and bottom ends have 1/2" white fringe.

0002.373 - Oriental Rug, c. 1900. Woven wool rug has a large red ground rectangle in the center surrounded by alternating brown, blue , brown white, blue and brown borders respectively. White, green, blue, gold and brown geometric shapes on red ground have box "windows" and pointed "roofs" and possibly represent buildings. Inner blue border is filled with a row of burgandy, white red, brown and gold X-shapes with a line going through and connecting them. White border has multicolored triangles on either edge bordering multicolored +-shapes. Top and bottom ends have 1/2" white fringe.

Oriental Rug, c. 1900. Woven wool rug has a large red ground rectangle in the center surrounded by alternating brown, blue , brown white, blue and brown borders respectively. White, green, blue, gold and brown geometric shapes on red ground have box "windows" and pointed "roofs" and possibly represent buildings. Inner blue border is filled with a row of burgandy, white red, brown and gold X-shapes with a line going through and connecting them. White border has multicolored triangles on either edge bordering multicolored +-shapes. Top and bottom ends have 1/2" white fringe.

Image of 0002.232.001 - Antimaccasar set (3p.) n.d. 3 separate linen pieces, woven design with floral motifs. ".001" is the largest 13in high with fringe and 15.5in. wide. It has 3-5 petaled flowers in the center of the design. Stems come together at bottom center in fieur de li pattern. Top corners are rectangular, bottom consists of 3 scallops, 5 fringe tassels on the outer and interior point of each scallop.

0002.232.001 - Antimaccasar set (3p.) n.d. 3 separate linen pieces, woven design with floral motifs. ".001" is the largest 13in high with fringe and 15.5in. wide. It has 3-5 petaled flowers in the center of the design. Stems come together at bottom center in fieur de li pattern. Top corners are rectangular, bottom consists of 3 scallops, 5 fringe tassels on the outer and interior point of each scallop.

Antimaccasar set (3p.) n.d. 3 separate linen pieces, woven design with floral motifs. ".001" is the largest 13in high with fringe and 15.5in. wide. It has 3-5 petaled flowers in the center of the design. Stems come together at bottom center in fieur de li pattern. Top corners are rectangular, bottom consists of 3 scallops, 5 fringe tassels on the outer and interior point of each scallop.

Image of 1977.136 - San Mateo Bicentennial Quilt, 1977. Machine pieced and hand-quilted cotton blanket shows a design of white squares with red sashing and a red outer border. A large blue-bordered square at center shows the Great Seal of the United States with an eagle, the phrase "e pluribus unum", and stars. "SAN MATEO" is hand-embroidered in gold thread at top in the blue border and "CALIFORNIA" is embroidered at bottom. To the left and right of the blue border is a white rectangle. The left-hand rectangle is hand-embroidered in gold with "1776" and "1976" appears to the right. Surrounding the emblem are white squares, each approx. 9.75" x 9.75" separated by red sashing. Copies of U. S. state seals, ranging between 3.5" to 4.5" in diameter, are hand-embroidered at the center of each white block. Background colors for state seals, if not white, are colored onto the fabric with paint or ink. 
The quilting stitches are white on the red ground and red on the white ground. The white blocks are quilted just inside the outer edge and also around the state seals with diagonal stitches leading from the seal to the corners. The sashing surrounding the white quilt blocks are quilted with a pattern of three parallel lines, each 1" apart, and a star at the corners of each white block. The outer red border is quilted with four parallel lines, also 1" apart. There is a circle of embroidery around the center emblem with quilted lines radiating out from the circle. The blue border has vertical quilting 1" apart on the right and left sides with quilted stars at the corners. The white side panels with embroidered years have 9 rows of vertical quilting 0.5" apart. 
The backing is blue cotton matching the large blue border on the front, and the binding is red. In the back center of the quilt, "The Neighbors" is hand-embroidered in white with individual quilter names surrounding it. The names, clockwise from top right, include: Patricia Ciolino Chandler, Leilani Fladger Hall, Annie Mille Troyan, Alexander Mendes Cooley, Jacquelin Holman Hall, Trudi Schwiner Chambers, Ila McCaslin Beauchemin, Sue Hagemann Martling, Helen Kurth Swanson, and Beverly Wegner Bertucci.   A muslin sleeve for hanging is sewn across the top edge on the back side.

1977.136 - San Mateo Bicentennial Quilt, 1977. Machine pieced and hand-quilted cotton blanket shows a design of white squares with red sashing and a red outer border. A large blue-bordered square at center shows the Great Seal of the United States with an eagle, the phrase "e pluribus unum", and stars. "SAN MATEO" is hand-embroidered in gold thread at top in the blue border and "CALIFORNIA" is embroidered at bottom. To the left and right of the blue border is a white rectangle. The left-hand rectangle is hand-embroidered in gold with "1776" and "1976" appears to the right. Surrounding the emblem are white squares, each approx. 9.75" x 9.75" separated by red sashing. Copies of U. S. state seals, ranging between 3.5" to 4.5" in diameter, are hand-embroidered at the center of each white block. Background colors for state seals, if not white, are colored onto the fabric with paint or ink. The quilting stitches are white on the red ground and red on the white ground. The white blocks are quilted just inside the outer edge and also around the state seals with diagonal stitches leading from the seal to the corners. The sashing surrounding the white quilt blocks are quilted with a pattern of three parallel lines, each 1" apart, and a star at the corners of each white block. The outer red border is quilted with four parallel lines, also 1" apart. There is a circle of embroidery around the center emblem with quilted lines radiating out from the circle. The blue border has vertical quilting 1" apart on the right and left sides with quilted stars at the corners. The white side panels with embroidered years have 9 rows of vertical quilting 0.5" apart. The backing is blue cotton matching the large blue border on the front, and the binding is red. In the back center of the quilt, "The Neighbors" is hand-embroidered in white with individual quilter names surrounding it. The names, clockwise from top right, include: Patricia Ciolino Chandler, Leilani Fladger Hall, Annie Mille Troyan, Alexander Mendes Cooley, Jacquelin Holman Hall, Trudi Schwiner Chambers, Ila McCaslin Beauchemin, Sue Hagemann Martling, Helen Kurth Swanson, and Beverly Wegner Bertucci. A muslin sleeve for hanging is sewn across the top edge on the back side.

San Mateo Bicentennial Quilt, 1977. Machine pieced and hand-quilted cotton blanket shows a design of white squares with red sashing and a red outer border. A large blue-bordered square at center shows the Great Seal of the United States with an eagle, the phrase "e pluribus unum", and stars. "SAN MATEO" is hand-embroidered in gold thread at top in the blue border and "CALIFORNIA" is embroidered at bottom. To the left and right of the blue border is a white rectangle. The left-hand rectangle is hand-embroidered in gold with "1776" and "1976" appears to the right. Surrounding the emblem are white squares, each approx. 9.75" x 9.75" separated by red sashing. Copies of U. S. state seals, ranging

Image of 1980.209 - Valance, n.d. Burnt orange velvet with yellowish cotton backing and several red, green, orange rope braid trims.  It has three sections with gold, green, brown, yellowish green, and blue-green tassels which are connected to the scalloped trim at the bottom of each of the sections. The design of rope braid trims are loops and curves through out with heart shaped curve in the middle of the section. There is also a missing tassel in a separate bag. Backing is stitched back to front, and looks pretty visible.

1980.209 - Valance, n.d. Burnt orange velvet with yellowish cotton backing and several red, green, orange rope braid trims. It has three sections with gold, green, brown, yellowish green, and blue-green tassels which are connected to the scalloped trim at the bottom of each of the sections. The design of rope braid trims are loops and curves through out with heart shaped curve in the middle of the section. There is also a missing tassel in a separate bag. Backing is stitched back to front, and looks pretty visible.

Valance, n.d. Burnt orange velvet with yellowish cotton backing and several red, green, orange rope braid trims. It has three sections with gold, green, brown, yellowish green, and blue-green tassels which are connected to the scalloped trim at the bottom of each of the sections. The design of rope braid trims are loops and curves through out with heart shaped curve in the middle of the section. There is also a missing tassel in a separate bag. Backing is stitched back to front, and looks pretty visible.

Image of 1983.209 - Matalan Post Ceremonial Table Cover, c. 1946-1981.  Square purple and off-white table cover. The table cover is all off-white with purple machine sewn onto the top edges. The purple frames an off-white center square 22 x 22in. The purple extends 5.875in. beyond the off-white square. The purple is only attached to the front. The back is all off-white.

1983.209 - Matalan Post Ceremonial Table Cover, c. 1946-1981. Square purple and off-white table cover. The table cover is all off-white with purple machine sewn onto the top edges. The purple frames an off-white center square 22 x 22in. The purple extends 5.875in. beyond the off-white square. The purple is only attached to the front. The back is all off-white.

Matalan Post Ceremonial Table Cover, c. 1946-1981. Square purple and off-white table cover. The table cover is all off-white with purple machine sewn onto the top edges. The purple frames an off-white center square 22 x 22in. The purple extends 5.875in. beyond the off-white square. The purple is only attached to the front. The back is all off-white.

Image of 2005.014.001-.002 - Ashtray and Stand Made by Seiichiro Ishida at Topaz Internment Camp, c. 1942-1945.  Ashtray stand made of found objects at Topaz internment camp by Seiichiro Ishida, donor's father. The stand is made of wood (probably found driftwood) and is carved like the shape of a body of a giraffe with a long neck, and legs and the head of a bird including a beak. It is related to the glass ashtray (.2), which sits on top of carved wooden stand (.1). (.1) At the top, the wooden stand is connected to a wooden square with a hole shaped like a circle where the glass ashtray sits. The wooden stand also has a wooden shaped block that holds the end of the wooden stand's feet are. The wooden stand is painted in brown throughout. Towards the end of the stand, all three of its legs each have small metal nails through it. At the back of the wooden shaped block that holds the end of the wooden stand, the wood appears to be unfinished with two metal nails holding the wooden block with the end of the wooden stand. (.2) The glass ashtray is multi-layered, yellow and is shaped like a circle. The design of the glass ashtray is three yellow curves of a single circle with three holes that separate the curves.

2005.014.001-.002 - Ashtray and Stand Made by Seiichiro Ishida at Topaz Internment Camp, c. 1942-1945. Ashtray stand made of found objects at Topaz internment camp by Seiichiro Ishida, donor's father. The stand is made of wood (probably found driftwood) and is carved like the shape of a body of a giraffe with a long neck, and legs and the head of a bird including a beak. It is related to the glass ashtray (.2), which sits on top of carved wooden stand (.1). (.1) At the top, the wooden stand is connected to a wooden square with a hole shaped like a circle where the glass ashtray sits. The wooden stand also has a wooden shaped block that holds the end of the wooden stand's feet are. The wooden stand is painted in brown throughout. Towards the end of the stand, all three of its legs each have small metal nails through it. At the back of the wooden shaped block that holds the end of the wooden stand, the wood appears to be unfinished with two metal nails holding the wooden block with the end of the wooden stand. (.2) The glass ashtray is multi-layered, yellow and is shaped like a circle. The design of the glass ashtray is three yellow curves of a single circle with three holes that separate the curves.

Ashtray and Stand Made by Seiichiro Ishida at Topaz Internment Camp, c. 1942-1945. Ashtray stand made of found objects at Topaz internment camp by Seiichiro Ishida, donor's father. The stand is made of wood (probably found driftwood) and is carved like the shape of a body of a giraffe with a long neck, and legs and the head of a bird including a beak. It is related to the glass ashtray (.2), which sits on top of carved wooden stand (.1). (.1) At the top, the wooden stand is connected to a wooden square with a hole shaped like a circle where the glass ashtray sits. The wooden stand also has a wooden shaped block that holds the end of the wooden stand's feet are. The wooden stand is painted in

Image of 2008.023.001 - Doily, n.d..  Off white rectangular doily with slightly scalloped edges.  Two embroidered sheer  strips of fabric, each machine embroidered with a design of twining roses and leaves.  The two central panels are surrounded by three strips of tatted lace, each with five central flowers worked into their centers, including three three-dimensional roses and two three leaf clover designs.  The ends are finished with a fine net of machine made lace with large geometric flowers worked into the design.

2008.023.001 - Doily, n.d.. Off white rectangular doily with slightly scalloped edges. Two embroidered sheer strips of fabric, each machine embroidered with a design of twining roses and leaves. The two central panels are surrounded by three strips of tatted lace, each with five central flowers worked into their centers, including three three-dimensional roses and two three leaf clover designs. The ends are finished with a fine net of machine made lace with large geometric flowers worked into the design.

Doily, n.d.. Off white rectangular doily with slightly scalloped edges. Two embroidered sheer strips of fabric, each machine embroidered with a design of twining roses and leaves. The two central panels are surrounded by three strips of tatted lace, each with five central flowers worked into their centers, including three three-dimensional roses and two three leaf clover designs. The ends are finished with a fine net of machine made lace with large geometric flowers worked into the design.

Image of 1984.173.003A - Antimacassar, n.d.. Two panel lace mat with repeated clover design. Each panel has six squares with the same clover design. Entire piece has a scalloped edge.

1984.173.003A - Antimacassar, n.d.. Two panel lace mat with repeated clover design. Each panel has six squares with the same clover design. Entire piece has a scalloped edge.

Antimacassar, n.d.. Two panel lace mat with repeated clover design. Each panel has six squares with the same clover design. Entire piece has a scalloped edge.

Image of 1984.173.004 - Antimacassar, n.d.. Three panel lace mat with repeated clover design. Each panel has ten squares with the same clover design. Entire piece has a scalloped edge.

1984.173.004 - Antimacassar, n.d.. Three panel lace mat with repeated clover design. Each panel has ten squares with the same clover design. Entire piece has a scalloped edge.

Antimacassar, n.d.. Three panel lace mat with repeated clover design. Each panel has ten squares with the same clover design. Entire piece has a scalloped edge.

Image of 1984.173.005A - Antimacassar, n.d.. Oblong lace mat with cross and square pattern in center. Edge has a scalloped finish.

1984.173.005A - Antimacassar, n.d.. Oblong lace mat with cross and square pattern in center. Edge has a scalloped finish.

Antimacassar, n.d.. Oblong lace mat with cross and square pattern in center. Edge has a scalloped finish.

Image of 1984.173.006A - Antimacassar, n.d.. Two panel lace mat with six repeated square designs. Each square has a central cross with a eight-point star pattern around it. The center of each square has red thread added to fill in the circular lace pattern. Entire piece has a scalloped edge.

1984.173.006A - Antimacassar, n.d.. Two panel lace mat with six repeated square designs. Each square has a central cross with a eight-point star pattern around it. The center of each square has red thread added to fill in the circular lace pattern. Entire piece has a scalloped edge.

Antimacassar, n.d.. Two panel lace mat with six repeated square designs. Each square has a central cross with a eight-point star pattern around it. The center of each square has red thread added to fill in the circular lace pattern. Entire piece has a scalloped edge.

Image of 0002.229.005 - Dresser Scarf, n.d. Creme colored rectangular dresser scarf. Hand crocheted lace attached to all 4 edges by hand which extends 0.5in out from the center panel. The center rectangular panel has no pattern or design and is approximately 12.25in. tall x 22.125in. wide. The crocheted lace edging has two parts, the part closer to the fabric edge alternates between open rectangular spaces and 4 crocheted columns attached to that there is a scalloped edge with 3 openings inside each scallop.

0002.229.005 - Dresser Scarf, n.d. Creme colored rectangular dresser scarf. Hand crocheted lace attached to all 4 edges by hand which extends 0.5in out from the center panel. The center rectangular panel has no pattern or design and is approximately 12.25in. tall x 22.125in. wide. The crocheted lace edging has two parts, the part closer to the fabric edge alternates between open rectangular spaces and 4 crocheted columns attached to that there is a scalloped edge with 3 openings inside each scallop.

Dresser Scarf, n.d. Creme colored rectangular dresser scarf. Hand crocheted lace attached to all 4 edges by hand which extends 0.5in out from the center panel. The center rectangular panel has no pattern or design and is approximately 12.25in. tall x 22.125in. wide. The crocheted lace edging has two parts, the part closer to the fabric edge alternates between open rectangular spaces and 4 crocheted columns attached to that there is a scalloped edge with 3 openings inside each scallop.

Image of 0002.229.006 - Dresser Scarf, n.d. Rectangular creme table scarf with tatted lace on three sides. The lace is only on the left, right, and top sides.  The only decoration on the fabric is an inner border of hemstitching on each side that is a 0.25in in from the edge of the fabric panel. The tatted lace edging is attached to the curved edge only with hand stitching. The lace has a pattern of loops and circles.

0002.229.006 - Dresser Scarf, n.d. Rectangular creme table scarf with tatted lace on three sides. The lace is only on the left, right, and top sides. The only decoration on the fabric is an inner border of hemstitching on each side that is a 0.25in in from the edge of the fabric panel. The tatted lace edging is attached to the curved edge only with hand stitching. The lace has a pattern of loops and circles.

Dresser Scarf, n.d. Rectangular creme table scarf with tatted lace on three sides. The lace is only on the left, right, and top sides. The only decoration on the fabric is an inner border of hemstitching on each side that is a 0.25in in from the edge of the fabric panel. The tatted lace edging is attached to the curved edge only with hand stitching. The lace has a pattern of loops and circles.

Image of 0002.229.008 - Dresser Scarf, n.d. Creme colored oblong dresser scarf that appears to be linen has a hand crocheted decorative edge hand stitched on. The dresser scarf is  7in. tall. x 13.5in. wide. The central cloth panel is undecorated. The crocheted decorative lace border is 0.375in. wide, and it is attached to the fabric panel with a blanket stitch. The lace has a scalloped edge and a repeating diamond pattern.

0002.229.008 - Dresser Scarf, n.d. Creme colored oblong dresser scarf that appears to be linen has a hand crocheted decorative edge hand stitched on. The dresser scarf is 7in. tall. x 13.5in. wide. The central cloth panel is undecorated. The crocheted decorative lace border is 0.375in. wide, and it is attached to the fabric panel with a blanket stitch. The lace has a scalloped edge and a repeating diamond pattern.

Dresser Scarf, n.d. Creme colored oblong dresser scarf that appears to be linen has a hand crocheted decorative edge hand stitched on. The dresser scarf is 7in. tall. x 13.5in. wide. The central cloth panel is undecorated. The crocheted decorative lace border is 0.375in. wide, and it is attached to the fabric panel with a blanket stitch. The lace has a scalloped edge and a repeating diamond pattern.

Image of 0002.229.009-010 - Dresser Scarves, n.d. Pair of half circle dresser scarves with tatted lace edging. No decoration to the half circle panels of fabric. The tatted lace edging is attached to the curved edge only with hand stitching. The lace has a pattern of loops and circles.

0002.229.009-010 - Dresser Scarves, n.d. Pair of half circle dresser scarves with tatted lace edging. No decoration to the half circle panels of fabric. The tatted lace edging is attached to the curved edge only with hand stitching. The lace has a pattern of loops and circles.

Dresser Scarves, n.d. Pair of half circle dresser scarves with tatted lace edging. No decoration to the half circle panels of fabric. The tatted lace edging is attached to the curved edge only with hand stitching. The lace has a pattern of loops and circles.

Image of 2014.025.001 - Iron Coat or Hat Rack.  Ornate, wall-mounted coat rack is solid iron.   Overall design mimics the shape of a growing vine.  Main cross bar is comprised of two wavy "vines" growing  towards the center from opposite directions and fusing to form a single vine which extends upwards.  On either side of this center branch are two smaller branches facing the middle.  Beneath this main bar extend five clusters of three curled branches each.  Coat rack is secured to the wall with cross brackets on either side, each with holes for wall screws.

2014.025.001 - Iron Coat or Hat Rack. Ornate, wall-mounted coat rack is solid iron. Overall design mimics the shape of a growing vine. Main cross bar is comprised of two wavy "vines" growing towards the center from opposite directions and fusing to form a single vine which extends upwards. On either side of this center branch are two smaller branches facing the middle. Beneath this main bar extend five clusters of three curled branches each. Coat rack is secured to the wall with cross brackets on either side, each with holes for wall screws.

Iron Coat or Hat Rack. Ornate, wall-mounted coat rack is solid iron. Overall design mimics the shape of a growing vine. Main cross bar is comprised of two wavy "vines" growing towards the center from opposite directions and fusing to form a single vine which extends upwards. On either side of this center branch are two smaller branches facing the middle. Beneath this main bar extend five clusters of three curled branches each. Coat rack is secured to the wall with cross brackets on either side, each with holes for wall screws.

Image of 0002.232.002 - Antimaccasar set (3p.) n.d. 3 separate linen pieces, woven design with floral motifs. It is smaller with 3 5-petaled flowers in each. ".002" is 12in high with fringe and 6in. wide with rectangular top correls, 3 scallops at the bottom, and 3 fringe tassels on the end of each scallop.

0002.232.002 - Antimaccasar set (3p.) n.d. 3 separate linen pieces, woven design with floral motifs. It is smaller with 3 5-petaled flowers in each. ".002" is 12in high with fringe and 6in. wide with rectangular top correls, 3 scallops at the bottom, and 3 fringe tassels on the end of each scallop.

Antimaccasar set (3p.) n.d. 3 separate linen pieces, woven design with floral motifs. It is smaller with 3 5-petaled flowers in each. ".002" is 12in high with fringe and 6in. wide with rectangular top correls, 3 scallops at the bottom, and 3 fringe tassels on the end of each scallop.